AS Media Studies: The Music Industry
Hello! My name is Dominique Burton I am currently studying media at hitchin girls school. I have a passion for media and it is my life. My favourite colour is baby blue and i love britney spears she is my idol
Wednesday, 6 April 2011
Music Matters Campaign
The Music Matters campaign is a collective of people across the music industry, including artists, retailers, songwriters, labels and managers, formed to remind listeners of the significance and value of music.
We believe it is important to support the artists and all those involved in making incredible music by choosing to consume music in an ethical way, and that’s why we’ve set up the Music Matters campaign.
The Music Matters trust mark will act as a guide for music fans and help differentiate legal music services from illegal ones.
When you choose sites carrying the trustmark you can be sure the site is legal and the copyright holders are paid for their creative work.
Globally, 19 out of every 20 tracks downloaded are done so illegally. In an evolving digital landscape, there can be confusion over which sites are legal. We think music fans would like to know that when the site that they are using is legitimate they are supporting the artists, musicians, songwriters and everyone involved in creating the music.
Monday, 21 March 2011
Article on Ipod: Issues raised regarding change in the music industry
Like everything else Apple does, its store layouts are ruthlessly designed. Pricey laptops and desktops by the door to lure you in, then iPads, then iPhones, then iPod Touches. The only table not occupied by a small cluster of people prodding, touching and fondling the technology is right at the back, in the store's depths. It's the table with the iPods on it.
"The iPod's essentially finished, give or take,"
"Sales have been in decline for some time. The converged media device is the way forward." In other words: the iPhone, the iPod Touch and the iPad – devices that the iPod paved the way for, devices that have helped push Apple's latest profits to a record-breaking $20bn. If the iPod now finds itself as the least-loved of the company's shiny portable devices, you get the sense Apple is probably OK with that.
Today, the iPhone has effectively replaced the iPod. Its ability to download apps, and the connectivity of the device, not music, that's now driving sales. "The US market for digital music appears to be flat," says Enders. "It has flattened well before everyone, and certainly the music industry, hoped. At this point the real issue is that more than 75% of recorded music sales are still on CD."
Friday, 18 March 2011
Music Audiences Questionaire
Would you buy music if you saw it on TV, a film or an advert?
Yes No
Explain further............................................................................................
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How do you usually access the music you listen to?
Illegal downloads CD's iTunes YouTube
Explain further............................................................................................
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Are you influenced by the media to listen to different styles of music?
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When you buy music do you take notice of the company in which the music is produced e.g conglomerate (Universal) or Independant (Domino)?
Yes No
Explain further
..................................................................................................................
..................................................................................................................
Yes No
Explain further............................................................................................
..................................................................................................................
How do you usually access the music you listen to?
Illegal downloads CD's iTunes YouTube
Explain further............................................................................................
..................................................................................................................
Are you influenced by the media to listen to different styles of music?
..................................................................................................................
..................................................................................................................
When you buy music do you take notice of the company in which the music is produced e.g conglomerate (Universal) or Independant (Domino)?
Yes No
Explain further
..................................................................................................................
..................................................................................................................
Are you willing to pay for the music you listen to?
..................................................................................................................
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The online revolution has proved as damaging to independent labels as to multinational companies. How far do you agree?
Many voices in the music industry have claimed that internet piracy has reduced
sales of legitimate CDs and that illegal MP3 downloads have become a substitute
for legal CD purchases.
in CDs sales is due to the increasing and uncontrollable number of illegal copies
available using peer-to-peer (P2P) technologies.
Representatives of the music industry have claimed that the very existence of the industry is at
stake. Reinforcing copyright laws, by implementing technological protection and by actively
enforcing legal protection through lawsuits targeted at developers and users of P2P
networks.
Yet, defenders of online distribution technologies have argued that MP3
downloads offer a new way for consumers to try new music. By exposing internet
users to a larger variety of products, file-sharing technologies could allow them
to increase the set of albums they have a potential interest in, thus increasing
music sales.
In the news-breaking Napster case, the court found that the use of the file-sharing technology
harmed the music industry partly on the ground that illegal music download reduced legitimate
sales of CDs.
Advantages and disadvantages of convergence for the music industry.
Technological convergence is the tendency for different technological systems to evolve towards performing similar tasks.
The line between recording and playback is quickly blurring. And so is the line between professional and amateur. Technology has made new products smaller, feature-rich and more affordable. When anyone can record their music and offer it on the web for the whole world to enjoy, there is suddenly little difference between musicians and listeners. The music industry is rapidly converging and new market opportunities are being created every day.
The first type of convergence is most easily illustrated on the example of a club DJ. Here we basically have a consumer who grew up listening to records, who has evolved into a producer of original content by creating innovative musical collages for the audience to enjoy. This type of convergence and the associated consumer trends have sprung new life into the declining turntable and record needle industries and given birth to new market segments in DJ mixers, effects, lighting and sound reinforcement equipment.
iPod took the world by storm in 2002 with over a million units sold, far surpassing the sales of all other MP3 players combined. Curiously enough, the processor chip used in many MP3 players is capable of not only playing back, but also encoding MP3 files onto the hard drive.
The line between recording and playback is quickly blurring. And so is the line between professional and amateur. Technology has made new products smaller, feature-rich and more affordable. When anyone can record their music and offer it on the web for the whole world to enjoy, there is suddenly little difference between musicians and listeners. The music industry is rapidly converging and new market opportunities are being created every day.
We all remember Napster and the amount of controversy it created, as well as its impact on the record industry. A similar transformation is underway in the world of recording, and it will affect all of us as both consumers and producers of audio content. This transformation is called convergence, and in our view it will take three distinct forms:
1. Convergence of the Producer and Consumer Markets
2. Convergence of the Recording and Playback Domains
3. Convergence of the Computer Tools for all of the above
Computer software like ACID™ extends this trend to the desktop user through sample manipulation and adds to the creative possibilities of people without the training and experience to play a "real" musical instrument. More people can generate original content now than before. The line between the consumer and the producer of content has blurred.
iPod took the world by storm in 2002 with over a million units sold, far surpassing the sales of all other MP3 players combined. Curiously enough, the processor chip used in many MP3 players is capable of not only playing back, but also encoding MP3 files onto the hard drive.
This means that a device that fits into your pocket can theoretically also function as a stereo recorder, which in turn opens up possibilities for recording live shows, practice sessions and demos on a small budget. No longer do you need an expensive studio and racks of gear to put together a demo. If all of your instruments are electric, you can easily record a complete project in a spare bedroom. The home, which has traditionally been a playback-only domain, now doubles as a recording domain as well.
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